Thursday, January 8, 2015

Initial Thoughts from Director & Adaptor Margaret Larlham

Illustration from Through the Looking-Glass, and What Alice Found There by Sir John Tenniel

A being with an open mind encounters the prescriptions and chaos, the logic and nonsense of the world into which she falls.  The natural and constructed, formless or structured phenomena she finds are perhaps all the makings of her own mind. Friendly, sinister, dark, mysterious, whacky, intense—the characters are really all aspects or parts of Alice, and conversely all characters are versions of Alice as well. 

She approaches each person or moment with freshness and sense of aliveness, drawn by a thirst to know, or curiousity which is not always satisfied: “Curious and curiouser!”

The physical actions of the story are dreamlike. Reflections in the mirror confirm existence. (I see that I am me!). But the journey on the giant chessboard through garden, palace, beach, woods  reflects the serendipity of nature as well as the maverick schemes and structures of generations past and present.  (I see that I am nobody and somebody too!)

—Margaret Larlham

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